Billie Holiday - Movie, Death & Strange Fruit (2024)

(1915-1959)

Who Was Billie Holiday?

Billie Holiday is considered one of the best jazz vocalists of all time, Holiday had a thriving career as a jazz singer for many years before she lost her battle with substance abuse. Also known as Lady Day, her autobiography was made into the 1972 film Lady Sings the Blues. In 2000, Holiday was inducted into the Rock and Roll Hall of Fame.

Early Life

Holiday was born Eleanora fa*gan on April 7, 1915, in Philadelphia, Pennsylvania. (Some sources say her birthplace was Baltimore, Maryland, and her birth certificate reportedly reads "Elinore Harris.")

Holiday spent much of her childhood in Baltimore, Maryland. Her mother, Sadie, was only a teenager when she had her. Her father is widely believed to be Clarence Holiday, who eventually became a successful jazz musician, playing with the likes of Fletcher Henderson.

Unfortunately for Holiday, her father was an infrequent visitor in her life growing up. Sadie married Philip Gough in 1920 and for a few years, Holiday had a somewhat stable home life. But that marriage ended a few years later, leaving Holiday and Sadie to struggle along on their own again. Sometimes Holiday was left in the care of other people.

Holiday started skipping school, and she and her mother went to court over Holiday's truancy. She was then sent to the House of Good Shepherd, a facility for troubled African American girls, in January 1925.

Only 9 years old at the time, Holiday was one of the youngest girls there. She was returned to her mother's care in August of that year. According to Donald Clarke's biography, Billie Holiday: Wishing on the Moon, she returned there in 1926 after she had been sexually assaulted.

In her difficult early life, Holiday found solace in music, singing along to the records of Bessie Smith and Louis Armstrong. She followed her mother, who had moved to New York City in the late 1920s, and worked in a house of prostitution in Harlem for a time.

Around 1930, Holiday began singing in local clubs and renamed herself "Billie" after the film star Billie Dove.

READ MORE: 7 Things You May Not Know About Billie Holiday

Songs

At the age of 18, Holiday was discovered by producer John Hammond while she was performing in a Harlem jazz club. Hammond was instrumental in getting Holiday recording work with an up-and-coming clarinetist and bandleader Benny Goodman.

With Goodman, she sang vocals for several tracks, including her first commercial release "Your Mother's Son-In-Law" and the 1934 top 10 hit "Riffin' the Scotch."

Known for her distinctive phrasing and expressive, sometimes melancholy voice, Holiday went on to record with jazz pianist Teddy Wilson and others in 1935.

She made several singles, including "What a Little Moonlight Can Do" and "Miss Brown to You." That same year, Holiday appeared with Duke Ellington in the film Symphony in Black.

Lady Day

Around this time, Holiday met and befriended saxophonist Lester Young, who was part of Count Basie's orchestra on and off for years. He even lived with Holiday and her mother Sadie for a while.

Young gave Holiday the nickname "Lady Day" in 1937 — the same year she joined Basie's band. In return, she called him "Prez," which was her way of saying that she thought it was the greatest.

Holiday toured with the Count Basie Orchestra in 1937. The following year, she worked with Artie Shaw and his orchestra. Holiday broke new ground with Shaw, becoming one of the first female African American vocalists to work with a white orchestra.

Promoters, however, objected to Holiday — for her race and for her unique vocal style — and she ended up leaving the orchestra out of frustration.

"Strange Fruit"

Striking out on her own, Holiday performed at New York's Café Society. She developed some of her trademark stage persona there — wearing gardenias in her hair and singing with her head tilted back.

During this engagement, Holiday also debuted two of her most famous songs, "God Bless the Child" and "Strange Fruit." Columbia, her record company at the time, was not interested in "Strange Fruit," which was a powerful story about the lynching of African Americans in the South.

Holiday recorded the song with the Commodore label instead. "Strange Fruit" is considered to be one of her signature ballads, and the controversy that surrounded it — some radio stations banned the record — helped make it a hit.

Over the years, Holiday sang many songs of stormy relationships, including "T'ain't Nobody's Business If I Do" and "My Man." These songs reflected her personal romances, which were often destructive and abusive.

Holiday married James Monroe in 1941. Already known to drink, Holiday picked up her new husband's habit of smoking opium. The marriage didn't last — they later divorced — but Holiday's problems with substance abuse continued.

READ MORE: The Tragic Story Behind Billie Holiday's "Strange Fruit"

Henry Anslinger and the Federal Bureau of Narcotics

In 1939, after singing her song “Strange Fruit,” Holiday received a warning from the Federal Bureau of Narcotics, a government agency which lasted from 1930 to 1968, to never sing the song again. Holiday refused and kept singing the song.

FBN commissioner Harry Anslinger believed Holiday to be the symbol of everything that America had to be afraid of.

“She had a heroin addiction because she’d been chronically raped as a child and she was trying to deal with the grief and the pain of that,” Johann Hari, who wrote the book Chasing the Scream: The First and Last Days of the War on Drugs, told WNYC. “And also, she was resisting white supremacy. And when she insisted on continuing on her right as an American citizen to sing 'Strange Fruit,’ Anslinger resolves to destroy her.”

Anslinger was a widely known racist and made it his mission to take Holiday down for her drug and alcohol addiction and relentlessly pursued her all the way up until her death in 1959.

Personal Problems

That same year, Holiday had a hit with "God Bless the Child." She later signed with Decca Records in 1944 and scored an R&B hit the next year with "Lover Man."

Her boyfriend at the time was trumpeter Joe Guy, and with him she started using heroin. After the death of her mother in October 1945, Holiday began drinking more heavily and escalated her drug use to ease her grief.

Despite her personal problems, Holiday remained a major star in the jazz world—and even in popular music as well. She appeared with her idol Louis Armstrong in the 1947 film New Orleans, albeit playing the role of a maid.

Unfortunately, Holiday's drug use caused her a great professional setback that same year. She was arrested and convicted for narcotics possession in 1947. Sentenced to one year and a day of jail time, Holiday went to a federal rehabilitation facility in Alderson, West Virginia.

Released the following year, Holiday faced new challenges. Because of her conviction, she was unable to get the necessary license to play in cabarets and clubs. Holiday, however, could still perform at concert halls and had a sold-out show at the Carnegie Hall not long after her release.

With some help from John Levy, a New York club owner, Holiday was later to get to play in New York's Club Ebony. Levy became her boyfriend and manager by the end of the 1940s, joining the ranks of the men who took advantage of Holiday.

Also around this time, she was again arrested for narcotics, but she was acquitted of the charges.

Later Years

While her hard living was taking a toll on her voice, Holiday continued to tour and record in the 1950s. She began recording for Norman Granz, the owner of several small jazz labels, in 1952. Two years later, Holiday had a hugely successful tour of Europe.

Holiday also caught the public's attention by sharing her life story with the world in 1956. Her autobiography, Lady Sings the Blues (1956), was written in collaboration by William Dufty.

Some of the material in the book, however, must be taken with a grain of salt. Holiday was in rough shape when she worked with Dufty on the project, and she claimed to have never read the book after it was finished.

Around this time, Holiday became involved with Louis McKay. The two were arrested for narcotics in 1956, and they married in Mexico the following year. Like many other men in her life, McKay used Holiday's name and money to advance himself.

Despite all of the trouble she had been experiencing with her voice, she managed to give an impressive performance on the television broadcast The Sound of Jazz with Ben Webster, Lester Young and Coleman Hawkins.

After years of lackluster recordings and record sales, Holiday recorded Lady in Satin (1958) with the Ray Ellis Orchestra for Columbia. The album's songs showcased her rougher sounding voice, which still could convey great emotional intensity.

Death and Legacy

Holiday gave her final performance in New York City on May 25, 1959. Not long after this event, Holiday was admitted to the hospital for heart and liver problems.

She was so addicted to heroin that she was even arrested for possession while in the hospital. On July 17, 1959, Holiday died from alcohol- and drug-related complications.

More than 3,000 people turned out to say good-bye to Lady Day at her funeral held in St. Paul the Apostle Roman Catholic Church on July 21, 1959. A who's who of the jazz world attended the solemn occasion, including Goodman, Gene Krupa, Tony Scott, Buddy Rogers and John Hammond.

Considered one of the best jazz vocalists of all time, Holiday has been an influence on many other performers who have followed in her footsteps.

Her autobiography was made into the 1972 film Lady Sings the Blues with famed singer Diana Ross playing the part of Holiday, which helped renew interest in Holiday's recordings.

In 2000, Holiday was inducted into the Rock and Roll Hall of Fame with Ross handling the honors.

In 2021, Andra Day portrayed Holiday in the biopic The United States vs. Billie Holiday.

  • Name: Billie Holiday
  • Birth Year: 1915
  • Birth date: April 7, 1915
  • Birth State: Pennsylvania
  • Birth City: Philadelphia
  • Birth Country: United States
  • Gender: Female
  • Best Known For: Billie Holiday was one of the most influential jazz singers of all time. She had a thriving career for many years before she lost her battle with addiction.
  • Industries
    • Jazz
  • Astrological Sign: Aries
  • Schools
    • The House of the Good Shepherd
  • Death Year: 1959
  • Death date: July 17, 1959
  • Death State: New York
  • Death City: New York
  • Death Country: United States

We strive for accuracy and fairness.If you see something that doesn't look right,contact us!


  • Article Title: Billie Holiday Biography
  • Author: Biography.com Editors
  • Website Name: The Biography.com website
  • Url: https://www.biography.com/musicians/billie-holiday
  • Access Date:
  • Publisher: A&E; Television Networks
  • Last Updated: November 12, 2021
  • Original Published Date: April 3, 2014
  • I have to change a tune to my own way of doing it. That's all I know.
  • No two people on earth are alike, and it's got to be that way in music or it isn't music.
  • I never hurt nobody but myself, and that's nobody's business but my own.
Billie Holiday - Movie, Death & Strange Fruit (2024)

FAQs

What does the Strange Fruit symbolize Billie Holiday? ›

The song protests the lynching of Black Americans with lyrics that compare the victims to the fruit of trees. Such lynchings had reached a peak in the Southern United States at the turn of the 20th century and the great majority of victims were black.

What is Billie Holiday's most famous quote? ›

If I'm going to sing like someone else, then I don't need to sing at all. No two people on earth are alike, and it's got to be that way in music or it isn't music.

How did Billie Holiday pass away? ›

Holiday was open about her bisexuality despite not being socially acceptable at the time. After years of substance abuse, Holiday's body had grown weary of the abuse and she died from heart failure on July 17, 1959, at age 44.

What emotions does Strange Fruit evoke as intended by its powerful lyrics? ›

The song's lyrics, which describe the brutal and inhumane practice of lynching African Americans, can evoke feelings of anger, sadness, and frustration. Many people who listen to the song feel a deep sense of sorrow and empathy for the victims of racial violence and the injustices they faced.

Why is Strange Fruit important? ›

Strange Fruit quickly became an anthem of the anti-lynching movement and the first significant song of the then fledging Civil Rights Movement. The song forced listeners to confront the brutality of lynching.

Why was Strange Fruit not allowed to be performed? ›

A known racist, Anslinger believed that drugs caused Black people to overstep their boundaries in American society and that Black jazz singers — who smoked marijuana — created the devil's music. When Anslinger forbid Holiday to perform "Strange Fruit," she refused, causing him to devise a plan to destroy her.

What disease did Billie Holiday have? ›

Billie Holiday passed away on July 17, 1959, of pulmonary edema and heart failure caused by cirrhosis, or liver disease, in the Metropolitan Hospital in New York. The cirrhosis was brought on by her long-fought battle with addiction and substance abuse.

What did Billie Holiday's dad do? ›

Her father, Clarence Holiday, was a jazz guitarist in Fletcher Henderson's band, a very popular Black band of his day, who shirked the responsibilities of fatherhood in favor of traveling with his band and being a visitor.

How rich was Billie Holiday when she died? ›

But his next wife Bernice was awarded a third of her husband's estate upon his death, which included some of Billie's money. Billie's royalties at the time were estimated to be around $20,000 per year, with her total estate valued at $1million including her Upper West Side property and royalties.

What is the irony in the Strange Fruit? ›

Meeropol's original poem was inspired by the famous image of Thomas Shipp and Abram Smith hung from a tree by a mob of white men (Richman). His lyrics that describe the "black bodies swinging in the Southern Breeze" ironically compare the lynchings to fruit hanging from a tree.

What is the main idea of the poem Strange Fruit? ›

"Strange Fruit" is a poem about racism and hatred. Specifically, it is about the treatment of black people by white people during a period of time roughly running from the end of the American Civil War up to the time of the poem's composition in the 1930s.

What is a metaphor for Strange Fruit? ›

In 'Strange Fruit' by Abel Meeropol, “Southern trees” is a metaphor. Firstly, it depicts white people living in southern America. On the other hand, the tree represents “hatred towards black people.” The “strange fruit” is another metaphor in this poem. It refers to black people, either dead or alive.

What elements of symbolism are present in the lyrics of Strange Fruit? ›

In 'Strange Fruit' by Abel Meeropol, “Southern trees” is a metaphor. Firstly, it depicts white people living in southern America. On the other hand, the tree represents “hatred towards black people.” The “strange fruit” is another metaphor in this poem. It refers to black people, either dead or alive.

What is the poet's attitude towards the Strange Fruit? ›

Theme statement: Abel Meeropol's poem turned song “Strange Fruit” was crafted around the extended metaphor that lynched African-American victims were as common as fruit hanging on trees down in the South to show that maintaining such a blasé attitude toward such a horrific event is damaging to all.

What is the mood of Strange Fruit? ›

The theme of the “Strange Fruit” poem is cruelty and injustice and the mood of the poem is sad and heartbreaking. In general the poem addresses to the cruelty of the Ku-Klux –Klan towards black people in early 1900s in Southern America.

What is the biography of a song Strange Fruit? ›

Strange Fruit not only chronicles the civil rights movement from the '30s on, it examines the lives of the beleaguered Billie Holiday and Abel Meeropol, the white Jewish schoolteacher and communist sympathizer who wrote the song that would have an impact on generations of fans, black and white, unknown and famous, ...

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